─ kukai
─
kukai
#4 ( february 2007)
haiku
Winner
wet garden
one puppy
brings it in
and
firemen
in a huddle
lighting up
Ernst J Berry
Second
winter hives
tiny hearts
in the darkness
John McDonald
Third
waxing moon
flying across the waterfall
- lone magpie
Maeve O'Sullivan
sheltered by razorgrass
it manages to root
a new potato
Jim Norton
Also rewarded
poppy seeds
on the pale chopping-board
- period pains
Maeve O'Sullivan
Graveyard ~
divided in two by a path
leading up to the church
Gilles Fabre
crows play
at chasing each other
...no reason
John McDonald
2nd honeymoon
how nonchalantly
he pokes the fire
Ernst Berry
gliding across the lake
towards me
a duck
Bernie O'Reilly
selected comments
winter hives
tiny hearts
in the darkness
Winter hives suggests a collectivity; the next line tiny hearts conveys
a very visual image of individuality in contrast to the hive;
and in the darkness something about the intuitive,unseen workings of
nature which i like.
Although I like some of the imagery in this poem, it doesn’t quite work
for me. Why not?
Well, I think the main reason is that the writer is *telling* me what
the hives are to him or her, rather than suggesting it.
They are hearts, and that’s that. I feel like there’s no room for me to
creep into the haiku with my own imagination, a bit of a disappointment.
I’m also a little confused by hives: I presume they’re beehives,
but a hive can also be a skin complaint, no?
I can imagine how beehives on a dark winter night must be quite
suggestive, but don’t feel transported there.
Winter hives suggests a collectivity; the next line tiny hearts conveys
a very visual image of individuality in contrast to the hive;
and in the darkness something about the intuitive,unseen workings of
nature which i like.
-------
waxing moon
flying across the waterfall
- lone magpie
The imagery is beautiful.The black and white of bird is striking.I
could picture clearly what the writer saw.
-------
wet garden
one puppy
brings it in
clear succcinct image raising a smile immediately without further
comment required one has the whole scene encapsulated there.
-------
firemen
in a huddle
lighting up
I love this haiku! It presents a terribly simple image, one that’s
quite obvious yet subtle at the same time, one that endures.
Although it’s clearly not derivative, it reminds me of another haiku
that I came across just a few days ago on the Frogpond website, written
by Lenard D. Moore: late summer / black men spreading tar / on the side
road. A happy coincidence of images that resonate: black with black,
fire with fire.
A lucky poet to have seen that, and a clever poet to have captured it
so well! I like the use of the word “huddle”: it suggests cold or windy
weather,
also a sense of camaraderie or even conspiracy between the men,
almost a sporting move like a scrum in a rugby match.
I liked the contrast of the firemen[putting out fires] in a huddle
lighting up.
-------
sheltered by razorgrass
it manages to root
a new potato
This is my favourite because of its contemplative character. It is also
unassuming but shows empathy/concern and a relation with a simple
natural situation.
Negative (razorgrass) impression balanced out by the outcome the poet
has spotted.
It also puts the poet (human presence) totally out of the
context/situation which is a proof/symbol of humility, one, as far as
I'm concerned,
of the most important qualities/values in haiku.
-------
after sun shower
raindrops on leaves
turn to diamonds
This haiku highlights the usual danger (and for some taboo) in using a
metaphor/comparison in a haiku.
Although for some it is forbidden, I think it sometimes works very well
when the metaphor is related to the observation
and based on reality/concrete element.
But in this case, I feel it fails - not by much though. Is it because
there is almost a redundant element (raindrops/shower)?
Would it work if the following direction was explored?
After the shower
leaves
turn to diamonds
or
After this shower
instead of leaves
I see diamonds
Maybe, maybe not...
-------
deserted street
the evening wind
doing wheelies
I like this one, but the image of the wind wheelying up a street of an
evening, to me, implies that it is deserted, that the road is clear to
be wheelied up.
Maybe 'Dublin street', 'city street' or an actual street name as an
alternative...?
-------
crows play
at chasing each other
...no reason
This gave me a 'haiku moment'. My attention was brought back to the
present moment by the kire and last line.
It does what, to me, haiku are meant to do: wake you up like a slap in
the head from a Zen master!
-------
poppy seeds
on the pale chopping-board
- period pains
I liked this one because of the image of the poppy seeds, the pale
cutting board connecting to the pains of the woman- the connection of
seemingly unconnected things works, surprises....and the way that women
go on with their work, period pains just another aspect of their
domestic lives.
-------